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Cameraless

I was cameraless this week. It was great. Sort of. Okay, maybe not completely cameraless. I still had four 35mm stills film bodies, three mini DV cameras, and five high speed film motion cameras, all sitting on the shelf, along with the water housings for those. But I loaned my Canon 5DM2 system out and sold my Rebel T1i, in preparation for buying the new RebelT2i. (Wow, that Rebel was so new it had only seen 3000 frames before the new one was released.) Canon (along with Apple) has been blowing my mind the past few years. We spoke, they

Earth Angel

angel |ˈānjəl| noun 1. a spiritual being believed to act as an attendant, agent, or messenger of God. “So let the Earth give testimony.” I was raised in Santa Barbara. Most of my earliest and therefore strongest influences, were based on my native Hawaiian Culture’s perception of man’s place in the world, and the catch all of SB culture’s budding eco consciousness, and the science based tenets of our University and College. But one of the most basic of principals, and something upon which my work is founded, came not from my social and cultural mores, it actually was planted

New, Bigger: Better?

I just spent the better part of the past week bouncing back and forth between post production and producing a richly diverse amount of new imagery. Multiple subjects, 7 days, in both motion picture and stills. I truly redlined my Canon 5D Mark 2, and utilized every facet of the camera learned from the last six months usage. Throttling back, yesterday I pondered my Google alerts. I set alerts on Google for new technology. So I get e mails which carry the keywords that I am concerned with. Here is the deal. For the first time ever, tech is working,

The Artist as Asset

Well, I am home again. Sort of. Bali, Santa Cruz, San Francisco, Central Coast California for a half day. It has been a long last month or so of being “on the road” building assets, which basically means creating content in stills and motion picture to be used in roughly a dozen ongoing projects. The Canon 5D Mark 2 established itself as a ground breaking piece of equipment for someone like me. The things that a creative operator can do with it will prove to re define cinematography as time passes. Here is a great link that details some of

Bali Journal 4: Detritus

I am a dark shadowy form crouched at a smallish desktop in a palatial villa in Ubud Bali. The room is dark for the most part. It is Sunday night. My girlfriend Donna lies naked reading in a giant bed dressed in fresh white linen with pillows adorned with fresh white and yellow plumeria which will serenade my senses in short order. She just snapped the reading light out and I hear her sweet voice whispering some pleasant inanity. The mosquito netting hangs suspended in grey relief from the light of my laptop. Aaron Marcelino and I were roadside today

Bali Journal 3: A Day Apart….

Sometimes will drop into your life announced. But in our case we had plenty of advance warning. A couple years back, Donna and I had met David Booth and learned of the work he had accomplished through his organization, East Bali Poverty Project. This morning, as we rolled down the gravel drive of Villa Gayatri in Ubud, with Gusti at the wheel, planning, hope and circumstance had four of Donna’s company icons-ambassadors and film maker Aaron Marcelino aboard for the 2 hour drive into the mountains of East Bali. We had been invited to attend a festival where most of

A Bali Journal: 2

Another amazing day here on Bali. Fashion and art imaging work followed by carefully choreographed motion picture work. So happy to have Aaron Marcelino on board. He worked his first stint ever as a Director today and did pretty darned well. Spent several hours in Denpassar interviewing East Bali Poverty Project’s David Booth and learned more of the amazing story of redemption of a remote tribe in the mountains of East Bali. One of the more incredible tales I have ever heard, it was hard to keep a clear eye as tears kept wanting to come. I will save the

A Bali Journal: 1

Uneventful smooth sky sailing into Bali, and here we are in one of the most beautiful locations I have ever seen. David Booth and Sam Holcomb of East Bali Poverty project “get it” when “it” means hospitality apparently. The villa they arranged for us to rent in Ubud is far and away the most amazing location I have shot in. I will save the description for the images which hopefully I can scare up time to post. Long days ahead. Colorful and bright, dark and pulsating, with a richness that one from a society with less dimension, would appreciate and

Organic Reprisal

We leave the troubled shores of the US soon, for the exotic environs of Indonesia where Donna Von Hoesslin’s creative muse lies, on the Isle of Bali. We are a tightly knit crew, who all will donate time and our own efforts in a collaborative endeavor to contribute to something that matters, and in the process, create something beautiful and compelling. The excursion will be a little different than Donna’s usual solo pilgrimage to her mecca of creativity and harmonic bliss. This time she brings along a group of young women whose names have become synonymous with her Ventura based

Flaming Arrow

In my travels and also in my work here in the US, I often have projects and events thrown at me, or that I simply stumble across. Some I embrace, some I do not. Behind each of these somewhere is a person holding a bow. They have started a fire. They do this with a flaming arrow. I have a friend here who works for the Ventura Visitors Bureau. Her name is Kathleen Fitzgerald. Her bedroom name (the name we all use for her in private) is Firestarter. What she does is identify the need, come up with a potential

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